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Right Now, Right Here, Here Now (2025)
a book, a 7-inch vinyl record, a serigraph, a performance

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Right Now, Right Here, Here Now unfolds through text, voice and sound, materialising as a book, a 7-inch record and a performance. The project explores the fleeting nature of movement, presence and memory, examining how language structures our perception of time and space. The text moves within linguistic structures, oscillating between rhythmic patterns and spatial navigation. The sound piece, recorded between Brussels and Berlin, extends this exploration into the auditory realm, playing with how articulation generates movement and how the ephemeral nature of language resists fixed meaning.

To bring these different works into dialogue, Evelyn Vanoverbeke created a scenography in response to the architecture of the exhibition space, with particular attention to the staircase. Her design formed a spatial choreography that invited visitors to move through and dwell within the works—to sit, walk, listen, read, watch, and lie down.

Right Now, Right Here, Here Now is the second part of a trilogy that continues the investigation into how we navigate both physical and non-physical spaces. It explores the ambiguity of language, the uncertain nature of communication, and how these elements shape our understanding of the spaces we occupy. The series is developed in collaboration with Carl Haase and published through his independent platform, Zero-Desk Editions.​

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